When Pinocchio was inside the coach, the Coachman said, “Say kid, why do you think boys like you go to school?” He said to himself, “He will ride faster all right, but not to where he thinks he is going!” “You will ride faster with me,” said the Coachman to Pinocchio. Pinocchio was back on the road to school. The next morning, Pinocchio said good-bye to Geppetto. What matters is that you will go to school tomorrow!” He did not want Pinocchio to know he had traded his warm coat to buy the schoolbooks. With a wave of his hand Geppetto said, “No need to worry about that. Later that day, Geppetto came back home with schoolbooks. But he did not have the money to buy schoolbooks. One day Pinocchio said, “I want to go to school, like other boys.” “Pinocchio, my son!” he said in great happiness. Then he said, “But who cares?” He rushed over and swept the wooden puppet into his arms. “How can this be?” said Geppetto in shock. “Here I am, Father!” said Pinocchio from the other side of the room. When Geppetto woke up the next morning, he said, “I will go take my puppet out of bed.” But the bed was empty! The movie will also release in theaters, but the date of the theatrical release is not yet known.And with that, the Blue Fairy went swoosh and was gone! Out of the window and up into the night sky. In his interview with Collider, del Toro also revealed, “The movie will come out last quarter of 2022.” We know now that Pinocchio will release on December 9, on Netflix. Cate Blanchett, Finn Wolfhard, Christoph Waltz, John Turturro, Ron Perlman, Tim Blake Nelson, and Burn Gorman will also star. Tilda Swinton will play the Turquoise Fairy. Newcomer Gregory Mann stars as Pinocchio, with Ewan McGregor in the Jiminy Cricket role (billed only as Cricket for this project) and David Bradley as Geppetto. The cast for Pinocchio is truly wonderful. Patrick McHale, known for his work on Adventure Time and Over the Garden Wall, co-wrote the script with del Toro. Fox, and A Very Harold & Kumar Christmas. In del Toro’s Pinocchio, one of the worst is to be untrue to yourself.”ĭel Toro will share his director’s credit with Mark Gustafson, a filmmaker known for his work on stop-motion projects like A Claymation Christmas Special, Meet the Raisins!, Fantastic Mr. Ultimately, the story, the article concludes, “There are many ways to lie, however. And the Candlewick will begin as an antagonist but ultimately end up being a friend. Instead of the Pleasure Island arc, Pinocchio “is recruited into the village military camp, because the fascist official in town thinks if this puppet cannot die, it would make the perfect soldier.” The article notes that Jiminy Cricket will have a story of finding love and humility. Also, in this tale, the story strives to be realistic where it can. Geptetto wishes for another chance to be a father, but does not get exactly what he bargained for. I want to tell it my way and in the way I understand the world.Īdditionally, we learn that in this retelling, Pinocchio is carved from a tree that grows on the grave of Gepetto’s son. Those are the interesting things, for me. At a time when everybody else behaves as a puppet-he doesn’t. Many times the fable has seemed, to me, in favor of obedience and domestication of the soul. “I have never believed that transformation be demanded to gain love.”ĭel Toro also adds, speaking to Vanity Fair: In the Oscar-winning filmmaker’s new stop-motion animated movie, “real” is a given. This is about becoming a real boy by acting…acting like a real human, period. It subverts the moral underpinnings of the original fable, which is, in order to be a real boy you have to change. It’s unlike any version of the story you’ve ever seen. It’s as personal as it gets, as moving as it gets. Every time I watch the movie I just sob like a baby. Right now, we are 50% animated and 50% in storyboards. Obviously, in animation, you get to see the movie in storyboards beginning to end many many times, and then you add the stop-motion. The idea of a Pinocchio that talks about things that I consider very deep but it’s fun and it’s a musical at the same time, I find it really incredibly moving. Because essentially, that’s the same story. The flip-side for me always been Pinocchio and Frankenstein, are the same story. It’s a very very very personal movie for me. The director also told Collider more about the process of creating the movie: We all love and practice animation with great passion and believe it to be the ideal medium to retell this classic story in a completely new way. We have spent a long time curating a remarkable cast and crew and have been blessed by continuous support from Netflix to quietly and carefully soldier on, barely missing a beat. He shares more about working on this “dream project” with Netflix:Īfter years of pursuing this dream project, I found my perfect partner in Netflix. Pinocchio, it turns out, is also a lifelong dream of del Toro’s.
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